Yet another sketch from the Book of Job comic I’m working on.
Even after being afflicted with horrible, disgusting, festering boils, Job refuses to curse God. He tears his robe, shaves his head and goes to sit in the ash-heap—taking a piece of broken pottery to scrape himself with.
Here’s one of the most surprising things about The Book of Job—the Lord and Satan appear together as if on the stage of a morality play. To top that, Satan makes a bet with the Lord—that deprived of his wealth, Job would curse God.
I’m trying to keep the dialogue here somewhat casual & conversational—after all, one point of this comic is to make Job’s story easier to read. I have God say: “How about that Job?…” The good old King James Version goes: “And the Lord said unto Satan, ‘Hast thou considered my servant Job, that there is none like him in the earth, a perfect and an upright man, one that feareth God, and escheweth evil?'” How I love that! Satan’s lines in the KJV are delightfully impertinent: “Then Satan answered the Lord, and said, ‘From going to and fro in the earth, and from walking up and down in it.'” (“Where’ve you been?” “Oh, out.”) This scene has echoes of ancient Near Eastern storytelling, where the gods and demi-gods have their squabbles. Gilgamesh and the gods and goddesses seemed always to have some tiff going on. Likewise in stories from Greek mythology.
As with the previous post, this is a sketch which will get inked in.
Posted in book promotion, illustration process, Western Civilization
Tagged Bible, comic, Gilgamesh, heaven, King James, morality, Old Testament, satan, sketch, sunday school, theology
Yep, I’ve been working on some more of that Bible stuff I’m into. I was going to reduce the Book of Job (rhymes with ‘robe’) to a single page, as I’d done with the Major Prophets series. I didn’t feel a single page would do Job’s story justice. There’s simply too much story in Job.
So here’s the opener for an 8-page comic. This is merely the sketch, of course. I’ll ink it in like a proper comic. Maybe I’ll figure out how to color it, too.
Had I shown you this before? I think I painted this picture a few years before I started blogging, so maybe not. It’s Baby Mummy meeting Drac—just as he’s getting ready for bed—in Carolyn Crimi‘s* wonderful story, Where’s My Mummy?
Today is National Garlic Day. Vampires are supposed to hate garlic, so why not post a picture of a vampire on my blog? Enjoy the day, everybody!
*rhymes with ‘shimmy’.
Mela, my agent, asks her artists every so often to create images keeping to a theme. This time it was City/Country. I decided to update the old Æsop fable about the country mouse and the city mouse.
To feel the city from a mouse’s point of view, I used some crazy linear perspective—with a vanishing point in the sky—and aerial perspective, making the nearby colors vivid and the faraway colors pale. One rainy afternoon I happened to be stuck in midtown Manhattan traffic, so I took a few photos. I’m glad I did! They provided perfect reference for this scene.
Posted in illustration process, self promotion
Tagged bicycle, Broadway, Manhattan, New York City, palette, perspective, rush hour, sketch, taxi, tour bus, traffic
So I’m trying to work up a character design for a project. It’s Samson, from the Bible—you know, Samson and Delilah, one of the judges of Israel, gets all his strength from his hair—and I want to show how he looks before he gets a haircut, and after. Here’s the problem: in the ‘before’ sketches hardly any of his face shows, right? Samson took a Nazarite vow never to let a razor touch his head. Between his hair and beard, only his eyes and nose can be seen. Below his beard, of course, is Samson’s magnificent physique. Get a load of those delts and pecs!
Now I want to show the same character after Delilah shaved him. No more beard, no more hair. You can see Samson’s face, but since you never saw much of it before, how do you recognize him after? That’s okay—everyone can still recognize his muscles. Except Samson lost all his strength when he lost his hair. His physique has to sag a bit. Kind of tough to see who it is. Hey, what about those eyes? Eyes are the windows to the soul—we’ll be able to tell it’s our boy from his eyes. Er, no. Those rotten Philistines blinded Samson as soon as they knew he was too weak to fight back. I put sunglasses on him. I can’t even let you know who it is with his eyes. What’s left? Samson’s NOSE. That’s it. That’s pretty much all I can give you to clue you in that it’s the same guy, before and after.
You can read Samson’s story if you have a Bible handy. It’s Judges Chapters 13 – 16. Samson is a not-so-bright lunk with a weakness for pretty girls. Maybe better you should click on this link. It’s G rated.
Another fantastic and fun project for the Pittsburgh Public Theater—create an image for A Funny Thing Happened On The Way To The Forum! My talented pal Paul Schifino art directed. He asked for something with a cornucopia and spectacularly oomphy slave-girls. I generated a bunch of rough ideas—we lost the cornucopia along the way. Harem pants looked too ‘I Dream of Jeanie’, so they got replaced with skimpy versions of ancient Roman fashion. Not a job for the faint-hearted.
A side note: this 2017/2018 season will be the finale for Ted Pappas, the Public’s Producing Artistic Director. I’m grateful to have seen many of his fabulous productions over the years. Best wishes for a well-deserved retirement!
I had a wonderful time meeting the students and teachers at Cherry Valley-Springfield last month—thanks for inviting me! Those guys had some crazy ideas for the painting demonstration. Here is something you don’t see every day: an alien pirate bunny riding a dragon/dinosaur while eating a cheeseburger. With a cat and a spider.
I just finished a poster for an upcoming event at my church—66 Books In 2 Hours. Pastor Greg will be cramming the entirety of Holy Writ into a frothy evening of dinner and a floor show.
If you are anywhere near Second Presbyterian Church in Oil City, Pa on Saturday, October 22nd, 5:30 – 8:30, I hope to see you there.
Here’s the rough sketch and final painting: