Tag Archives: illustration

Postcards!

postcard.shot

I got postcards! They have my weird hand-lettering and a lovely astrolabe on the front. The back tells how to find The Western Civ User’s Guide on the internet. I’ll be sending these out to promote my blog and this history I’m writing. The plan is to eventually turn it into a printed book.

If you’d like me to send you a postcard, shoot me an email at john@johnmanders.com.

I do appreciate you guys who read my posts. Thanks for spreading the word.

By the way, these were printed at Best Printing in Oil City, Pennsylvania. Nice job, Licia!

Back to the beginning of The Western Civ User’s Guide to Time & Space

And it doesn’t need batteries

If you read my last astrolabe post and swung by one of the links you can find there, you’ll have seen that these astrolabes work like a charm. As well as telling time, an astrolabe can be used for surveying and navigation. Of course, it wouldn’t work at all without Ptolemy’s accurate mapping of the sky.

The astrolabe was used for centuries before clocks came along. Even after clocks it was used for predicting when sunup or sundown would occur. This was important in the Muslim world, where the faithful need to pray at exact times, like sunup. The Koran says that it’s sunup when it’s light enough to tell the difference between a black thread and a white thread, but an astrolabe tells you when sunup will happen beforehand—by looking at the stars.

Notice that around the rim of the astrolabe the circle is divided into 24 hours of the day. Each hour takes up 15 degrees of the 360-degree circle. If you’ve been following this blog for the past year, you’ll remember the Sumerians came up with that idea—a 360-degree circle uses the Base 60 system of counting. This is an example of using distance to calculate time. In this instance, not miles traveled but degrees around a circle. The hours are distributed equally along the circle of Earth’s horizon.

Back to the beginning of The Western Civ User’s Guide to Time & Space

Charlemagne & Pope Leo timelapse

Here’s a little painting—you can watch as it gets painted. https://www.instagram.com/p/B3-HCj-gCVs/

It’s an image for this post.  Enjoy!

Mystery!

Here’s a piece I did just for self-promotion. Every couple of months, my agent asks her artists to produce an image based on a theme. This theme is Mystery. When generating ideas I stayed pretty loose. My first sketches were kind of Sherlock Holmes-ish, Mystery-of-The-Sphinx-ish with Holmes opening an antique Egyptian box in his famous rooms in Baker Street. It wasn’t grabbing me, so I thought to move the whole scene to the inside of a pharoah’s tomb. Sort-of Holmes and Watson became sort-of Indiana Jones and Short Round. The rough sketch shows Egyptian antiquities—chariot, scrolls, statues—for flavor, but as I drew I thought to heighten the suspense by having the deities’ eyes light up at the same moment the casket is cracked open. Indy is unaware of the danger while Short Round watches in alarm.

I didn’t take the sketch to a tight version. I wanted the painting to be fresh while I worked out the lighting. I have 2 sources of light here. One of them is the red lantern I had with me on countless camp-outs when I was a Boy Scout in good ol’ Troop 92.

Author/illustrator school visit tips from your old Uncle John

I got an e-mail from an author/illustrator colleague who is about to do her first school visit—she asked for some tips about how to make it a success. Here are a few ideas that came to mind.

First of all, don’t be nervous. The students are going to treat you like a rock star. You’ll be new and different and fun. They’ll love you.

Dress like you’re going on an interview.

Have you read the story aloud yet? Rehearse before you go in front of the students. Read it to a friend or two this weekend, just so you can get comfortable with doing that. BE AN ACTOR—be sure every character sounds different from the others. Don’t be afraid to go over the top with the voices. I’m a ham, and wear some kind of hat that fits with the story—a cowboy hat, or bunny ears—because the narrator is also a character. Relax, don’t rush through your reading, and enjoy the experience.

Ask for water. Ask for a microphone if you’re speaking to an assembly. If it’s just 25 or so kids, no mic.

Know how much time you’re allotted and keep an eye on the clock.

I have a few of my books in jpeg format. The school should have a computer and projector—ask for it ahead of time, along with a tech person. You bring your jpeg file on a flash drive. Bring at least one backup on a different flash drive. You can project your images while you read the story.

If you feel comfortable doing it, draw the kids a picture afterward. An easel with a big pad and a chisel-point marker is all you need. Keep it simple. Draw something you’re good at drawing—a cat or a dog. Describe what you’re drawing as you draw it as if you were doing a presentation on the radio.

If you do Q&A, keep the answers simple. Preface your answers with things like, “That’s a really good question.”

When the show’s over, thank everyone and turn the class back over to the teacher.

A Funny Thing Happened…

Another fantastic and fun project for the Pittsburgh Public Theater—create an image for A Funny Thing Happened On The Way To The Forum! My talented pal Paul Schifino art directed. He asked for something with a cornucopia and spectacularly oomphy slave-girls. I generated a bunch of rough ideas—we lost the cornucopia along the way. Harem pants looked too ‘I Dream of Jeanie’, so they got replaced with skimpy versions of ancient Roman fashion. Not a job for the faint-hearted.

A side note: this 2017/2018 season will be the finale for Ted Pappas, the Public’s Producing Artistic Director. I’m grateful to have seen many of his fabulous productions over the years. Best wishes for a well-deserved retirement!

Sixty-Six Books

I just finished a poster for an upcoming event at my church—66 Books In 2 Hours. Pastor Greg will be cramming the entirety of Holy Writ into a frothy evening of dinner and a floor show.

If you are anywhere near Second Presbyterian Church in Oil City, Pa on Saturday, October 22nd, 5:30 – 8:30, I hope to see you there.

Here’s the rough sketch and final painting:

66books-skpastorgreg

Some old sketches

I don’t think I posted these earlier. They’re from Peter Spit a Seed at Sue by Jackie French Koller.

Sorry about the lack of posts recently. I’ve been busy developing one or two new projects and they must be kept secret until the publisher gives the go-ahead.

Escape from Netherworld—Borhai

More jacket art for Escape from Netherworld—it’s about a group of role-playing gamers who are somehow transformed into their characters and transported into an alternate realm: Netherworld. Yesterday I showed you Twiggy the dwarf. Here’s Borhai the warrior who starts out as a regular gaming guy named Dave.

My pal, the extraordinarily talented Gina Datres, is the book’s designer and she called me in to illustrate the jacket. After some discussion and rough sketches back & forth we hit on the idea of 3 individual images of the gamers going through their transformation. For the 2 guys, I drew the gamers in pencil but fully rendered their characters in paint. I work with watercolor (gouache), so I traced some of the drawing with a wax candle. Since watercolor won’t stick to wax, you can see the drawing of the gamer ‘through’ the painting of the character. Piper, the elf-girl, doesn’t change in size enough to make that idea work so I made her hair a magical element that swirls around her as it grows.

If you’d like to buy a copy of Escape from Netherworld just click here.

Author: David Kuklis
Designer: Gina Datres
Illustrator: John Manders
Editor: Nan Newell
Published and Printed by:
Word Association Publishers
Tarentum, PA 15084
ISBN: 978 1 59571 994 2
Available for purchase:
wordassociation.com   —   1 800 827 7903
barnesandnoble.com
amazon.com

As usual, here are the rough sketch, tight sketch, color study and final painting.

Escape from Netherworld—Twiggy the dwarf

Escape From Netherworld jacket

Escape From Netherworld jacket

Hey, gang! Sorry for the interruption in posts—I spent most of last week in New York City visiting art directors, editors and creative directors. Now I’m back and I want to show you something I worked on this summer.

Here is jacket art for Escape from Netherworld—it’s about a group of role-playing gamers who are somehow transformed into their characters and transported into an alternate realm: Netherworld.

My pal, the extraordinarily talented Gina Datres, is the book’s designer and she called me in to illustrate the jacket. After some discussion and rough sketches back & forth we hit on the idea of 3 individual images of the gamers going through their transformation. For the 2 guys, I drew the gamers in pencil but fully rendered their characters in paint. I work with watercolor (gouache), so I traced some of the drawing with a wax candle. Since watercolor won’t stick to wax, you can see the drawing of the gamer ‘through’ the painting of the character. Piper, the elf-girl, doesn’t change in size enough to make that idea work so I made her hair a magical element that swirls around her as it grows.

If you’d like to buy a copy of Escape from Netherworld just click here.

Author: David Kuklis
Designer: Gina Datres
Illustrator: John Manders
Editor: Nan Newell
Published and Printed by:
Word Association Publishers, Tarentum, PA 15084
ISBN: 978 1 59571 994 2
Available for purchase:
wordassociation.com   —   1 800 827 7903
barnesandnoble.com
amazon.com

Let’s start with Twiggy the dwarf. As usual, here are the rough sketches, tight sketches, color studies and final paintings.