In 1493, the Venetian Republic commissioned the clockmaker Giovan Paolo Rainieri, from the town of Reggio Emilia, to design and build a clock. This clock would be big and beautiful and expensive—a tower would be designed and built on Saint Mark’s Plaza to house it. It would face the lagoon and the sea beyond, so the whole world could see how prosperous was Venice.
If you visit Venice you can see the Rainieri clock. Its face is decorated in gold and lapis lazuli (a mineral you make blue out of—blue paint ain’t cheap); the hand tells what hour it is and the current zodiac sign; above the clock is a statue of the Virgin Mary and Baby Jesus (made of gilded copper); twice a year a mechanical angel and three wise men parade in front of Mary and tip their crowns to her; above Mary is the lion of Saint Mark with his paw on the Gospel (the statue of the praying doge isn’t there anymore); and at the top, every hour two bronze giants ring an enormous bell with their hammers.
The entire contraption from top to bottom used a verge and foliot escapement to regulate the gears.
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