Much of the play takes place in the woods; the main character, Rosalind, disguises herself as a man; there is a jester, shepherds, nobles, peasants; romantic intrigue; a wrestling contest; kissing practice; sheep; a punched lion and a wounded deer. I worked all this stuff into one rough sketch—I like the look of chaotic fun with a forward motion. The director—Ted Pappas—plans to stage it all in Victorian costume.
This one doesn’t quite work—Rosalind needs to be the focus. The client felt she blends into the crowd and it isn’t clear she’s a girl disguised as a man. Could I instead push the crowd into the background and bring Rosalind forward? How about a tree, and Rosalind is on one side as herself and on the other side dressed as a man? How about a shepherd and some sheep in the background?
So in the play one of the characters (Orlando, I think) carves love poems into the trees. I used that device to incorporate the title lettering. The client loved that, but not the 2 Rosalinds. Lose them, keep the tree, lose the peasants, put a sheep on one side of the tree and a jester’s stick on the other. And put some musical notes in with the leaves.