Captain Kidd’s ice bucket challenge

We’re still celebrating the release of P is for Pirate and the countdown to Talk Like A Pirate Day (September 19th).

Today I’ve got sketches and a few work-in-progress photos of Captain William Kidd. Kidd wasn’t a particularly good pirate—as Eve Bunting says: “Captain William Kidd spilled less blood and captured less booty than any other well-known pirate of his time”. Apparently he didn’t get along well with his crew. Our shot of Kidd shows the scene where he infamously brained the ship’s gunner with a bucket.

You’ll notice in the color sketch and early work on the painting the ship’s woodwork is a mustardy yellow. Once I was into the painting I found it too cheerful a color—it didn’t help convey the mood of the action at all. So I changed it to gray. Much better!

Edward Teach

As a follow-up to my last post about Queen Anne’s Revenge, here is the man himself—the terrible Edward ‘Blackbeard’ Teach. I show him in close-up so you can see the slow-match fuses he used to weave into his whiskers and set alight before attacking a ship. You can find him in P is for Pirate, now available in bookstores—or drop me a line in the comments for an autographed copy.

Pirate captains were elected by their crews and could be voted out. To keep his crew in line, Blackbeard constantly showed himself to be more fierce, more outrageous than anyone else on board. Seated with his rogues during dinner, Blackbeard fired a pistol underneath the table and wounded one of the crew, just to remind them who he was.

Blackbeard had to be mindful of his crew’s appetite for liquor—for rum, an ardent spirit distilled from molasses. Without rum, a crew would mutiny, as this excerpt from Blackbeard’s log attests:

‘Such a Day, Rum all out: – Our Company somewhat sober: – A Damned Confusion amongst us! – Rogues a plotting; – great Talk of Separation. – So I looked sharp for a Prize; – such a Day took one, with a great deal of Liquor on Board, so kept the Company hot, damned hot, then all Things went well again.’

R is for Revenge

Queen Anne’s Revenge, that is. Queen Anne’s Revenge is the name of Blackbeard Teach’s flagship—though I have to admit I don’t know why he chose that name. Queen Anne ruled Great Britain & Ireland while Blackbeard was alive, so maybe he considered himself to be a privateer on behalf of the Crown? Was he not happy with the War of the Spanish Succession? I’d like it if, in the comments, someone could offer a better reason behind Teach’s name for his ship. Writers Alexander Pope, Jonathan Swift & pirate aficionado Daniel Defoe flourished under Queen Anne, so maybe her reign really was culture’s balmiest day—but why did she need to be avenged?

Anyway, he only captained Queen Anne’s Revenge for 3 years before she sunk off North Carolina. And so I had the wonderful opportunity to paint a sunken pirate ship for Eve Bunting’s new book, P is for Pirate. It was also a chance to pay tribute to fantastic illustrator Lloyd K. Townsend. When I say ‘pay tribute to’, of course I mean ‘steal shamelessly from’. I’ve admired Townsend since I was a wee lad, seeing his paintings in National Geographic. One in particular, from 1979, shows the sunken Spanish treasure ship Tolosa. This was my—cough—inspiration for R is for Revenge. Hey, at least I turned the ship around to face the other way!

Herewith, work in progress:

Q is for Queen

Here is one of my favorites from P is for Pirate, the notorious Grace O’Malley—Irish queen & pirate captain. She was a contemporary of Queen Elizabeth I and reportedly had an interview with Gloriana (who, after all, had a soft spot for buccaneers).

Queen Grace has been the subject of songs, at least one play and even a musical. So far as I know the swashbuckling Maureen O’Hara never played her in a movie, but what perfect casting that would have been!

I show Queen Grace in an Errol Flynn pose with her ruffians behind her. In the sketch I thoughtlessly drew a baroque-looking ship like we’re used to seeing from piracy’s golden age. In the final painting I used the Mayflower—much closer in style to a ship from Queen Grace’s time—as reference. Same deal with the costumes: they’re Elizabethan. I first drew her in men’s clothes but thought she looks much cuter in a dress.

A is for Articles

Here is your Monday dose of P is for Pirate—available in bookstores everywhere by Eve Bunting from Sleeping Bear Press.

The Articles were the pirates’ ethical guidelines which set out rules for behavior & working conditions aboard ship. New crew members signed them before becoming part of the ship’s company. Did you know that the pirate captain was elected—and could be voted out if he didn’t meet the crew’s expectations?

Pirates who couldn’t read or write made an X at the bottom of the contract and a clerk would write next to it, “John Manders (or whatever the sailor’s name was), his mark.”

Ahoy, ye sea dogs!

l_9781585368150_fcP is for Pirate is here!

As long-time readers know, the subject of pirates is a favorite of mine. You can imagine how happy I was when Sleeping Bear Press asked me to illustrate Eve Bunting’s latest, P is for Pirate. 

Here’s how the jacket art came together. Some rough sketches, a tight sketch based on the approved rough, the painting in progress. I lost something in the tight sketch—the pirate doesn’t have the same aggressiveness & oomph—so I went back to the rough sketch to paint from. That’s my dear old African Grey, Sherman, sitting on his shoulder. How I miss him! I like this low-key palette, mostly blacks, greys and red. The talented Felicia Macheske was my art director on this project. I will show more images throughout the month.

Wild Things

Wild Things! is a new book coming out about the ‘behind-the-scenes’ stories of writing and illustrating picture books.

I contributed a story about Prancing, Dancing Lily—the cow who loved to dance—that didn’t make the cut for the book. However, you can read it on the book’s website here.

 

Westmoreland Arts & Heritage Festival this weekend

I’ll be here drawing caricatures Thursday, Friday, Saturday and maybe Sunday.

Princess India

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I lost India, my beloved studio-mate Saturday, June 7th. I’m only now able to write about her.  She was loved and maybe even a little spoiled. India was her mama’s baby but she spent the workday with me. Not only was she my work companion—as well as the official Studio 27B greeter—India made many cameo appearances in my books. I’ve compiled them here. There are probably more and I’ll add them as I find them.

Sleep well, my princess.

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A Funny Thing Happened on the Road to Damascus

Once again I had the honor of being substitute preacher at Second Presbyterian Church in Oil City. While we’ve been without a pastor we elders have stepped up and taken turns at the pulpit. Our new pastor, Rev. Greg Gillispie, will take over in July.

This time around my subject was the stoning of Saint Stephen and the introduction of that one-man paramilitary wing of the Sanhedrin, Saul—found in Acts 7:55-60.

My talk centered around storytelling—particularly visual storytelling. Here you can see character designs for Stephen and Saul; an explanation of character arc used Dorothy from Wizard of Oz, Lightning McQueen from Cars, and Walter White from Breaking Bad; Saul’s Road to Damascus moment; and Saint Paul who shaped the young Christian Church through his writings.

This was some of the best fun I’ve had speaking in front of a group. I am grateful for a supportive and forgiving congregation! Best wishes & welcome to Rev. Gillispie.